Oil On Canvas, Real Flavor of Old Masters

All Vincenzo Catena 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
43034  
A Muslim Warrior Adoring the Infant Christ and the Virgin, Vincenzo Catena
  		 A Muslim Warrior Adoring the Infant Christ and the Virgin   mk170 1520-1525 Oil on canvas 156.3x267.3cm
90881  
A Warrior adoring the Infant Christ and the Virgin, Vincenzo Catena
  		 A Warrior adoring the Infant Christ and the Virgin   oil on canvas Dimensions Height: 155.3 cm (61.1 in). Width: 263.5 cm (103.7 in). cjr
20200  
Giangiorgio Trissino (mk05), Vincenzo Catena
  		 Giangiorgio Trissino (mk05)   Canvas,28 1/2 x 25 1/4''(73 x 64 cm).Given to the Louvre in 1914
84582  
Portrait of a Young Man, Vincenzo Catena
  		 Portrait of a Young Man   Date between 1505(1505) and 1510(1510) Medium Oil on wood Dimensions Height: 31 cm (12.2 in). Width: 24 cm (9.4 in). cjr
88445  
Portrait of a Young Man, Vincenzo Catena
  		 Portrait of a Young Man   between 1505(1505) and 1510(1510) Medium Oil on wood cyf
90118  
Portrait of humanist Gian Giorgio Trissino, Vincenzo Catena
  		 Portrait of humanist Gian Giorgio Trissino   1510(1510) Medium Oil on canvas Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm) cjr
88060  
Portrait of the Doge, Andrea Gritti, Vincenzo Catena
  		 Portrait of the Doge, Andrea Gritti   Oil on canvas Dimensions Height: 97.2 cm (38.3 in). Width: 79.4 cm (31.3 in). cjr
43035  
Saint Jerome in His Study, Vincenzo Catena
  		 Saint Jerome in His Study   mk170 Circa 1510 Oil on canvas 75.9x98.4cm
355  
The Supper at Emmaus, Vincenzo Catena
  		 The Supper at Emmaus   1520/30 Galleria degli Uffizi, Florence
28311  
The Supper at Emmaus, Vincenzo Catena
  		 The Supper at Emmaus   mk60 Panel 51 3/16"x97 7/8in
Vincenzo Catena
Italian c1480-1531 Vincenzo Catena Location Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.



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